If you own a newer slide scanner, you’ve probably heard of Applied Science Fiction, developers of Digital ICE, the fantastic scratch- and dust-removing software. Continue Reading »
I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this amazing application through its paces. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Film photographers have always faced a balance challenge… color balance, that is. Continue Reading »
Tips and tricks are the trading cards of Photoshop. Photoshop techniques, tips and tricks are like hamsters… they beget rapidly with each new user adopting a variation. Continue Reading »
When last we visited the exciting world of making panorama images with Photoshop, I used a relatively common subject as an example: a level drawbridge over Florida’s Intracoastal Waterway close by my home. Continue Reading »
Panoramic cameras have been around almost as long as photography itself. Continue Reading »
We spend hundreds and thousands of dollars to acquire the sharpest lenses possible. Continue Reading »
Last week we examined the nature of depth-of-field. Now let’s take a look at how depth-of-field can be applied practically and creatively. Continue Reading »
When most digital photographers stray from Auto or Program exposure modes, it’s usually to the Shutter-Preferred mode to better stop action. Continue Reading »
The city and countryside of Chartres, France, are dominated by the magnificent cathedral. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Last week we learned how to use a Luminosity Mask (Command+Option+Tilde [~] or PC: Control+Alt+~) to emphasize highlight details in ultra bright situations such as snow on a Swiss Alp. Continue Reading »
Tips and tricks are the trading cards of Photoshop. Continue Reading »
When last we visited the exciting world of making panorama images with Photoshop, I used a relatively common subject as an example: a level drawbridge over Florida’s Intracoastal Waterway close by my home. Continue Reading »
Corey shows you how to recreate this rugged, weathered look using a couple of filters, blending modes, and layer masks.
Use a clipping group to place an image inside of a background of text, with another layer of text placed in front to create depth.
In this tutorial Corey shows you how to take an existing image and turn it into it’s own custom brush.
In this tutorial Corey creates a realistic-looking coin effect using the channels palette and the lighting effects filter.
If you’re trying to set type that looks typographically correct in Photoshop, there’s an old habit you’ll have to break, and that’s the curse of putting two spaces at the end of every sentence. This is a holdover from people who at one time used traditional typewriters, where adding two spaces was necessary, but in typesetting that’s a huge no-no. About 70% of the text I copy-and-paste from text files that people give me has two spaces, but I use this Photoshop tip to fix the problem in just seconds. First, go under the Edit menu and choose Find and Replace Text. In the Find field, press the Spacebar twice (entering two spaces), then in Change To, press the Spacebar just once. Click Change All, and every time Photoshop finds two spaces at the end of a sentence, it will replace it with just one, making you typographically correct.