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It seems my Photoshop work of late has been geared more toward photography than it was in the past, but occasionally I just like to open the program and play. Continue Reading »
I’ve been doing a lot of Photo-effect and alteration tutorials for www.photoshopuser.com lately, and occasionally it feels good to get back to where it all began for me… type effects. Continue Reading »
This week I’ll show you a quick way to turn your photos into a line art drawing. Continue Reading »
Even though I’m ‘into’ crazy effects, for a long time I considered the liquify tool to be pretty useless. Some times it just takes awhile for things to sink in. After some work with the tool, I’ve revised that opinion and now love to liquify. Continue Reading »
Photoshop 7 has a few new commands and blending modes that I’ve been playing with, and as I already told my buddy Colin Smith about it, I thought I’d better write on the subject before he beat me to it! Continue Reading »
You know me – I love styles. Unfortunately I talk about them so much these days that it may seem I rely on them for nearly everything, but that isn’t the case at all. Continue Reading »
This week I want to cover a nifty little trick for bringing out depth in glass and plastic. Continue Reading »
Photoshop 7 has a few new commands and blending modes that I’ve been playing with, and as I already told my buddy Colin Smith about it Continue Reading »
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
Chances are you’ve noticed that when you attempt to increase the exposure in an image that is underexposed, you are going to clip your highlights, take areas of light color information and make them completely white. Before Camera Raw 4.1, the only way for you to compensate for this would be to dial back the exposure. Now, with the Recovery slider you can bring back some of the detail that was lost in the highlights without affecting the entire image.