Sponsored by the National Association of Photoshop Professionals. Learn More
To make a copy of your current layer and have it appear in the exact location in a different Photoshop document, Control-click (PC: Right-click) on the layer in the Layers palette that you want to copy, and choose Duplicate Layer. When the Duplicate Layer dialog appears, choose the Destination from the Document pop-up menu, and click OK.
Anytime you want to change the Opacity of the layer you’re currently working on, just switch to the Move tool (V) and press a number key on your keyboard: 4 = 40% Opacity, 5 = 50% Opacity, etc. If you want an exact percentage, such as 52%, then type 52. (Note: You have to type quickly, or you’ll get 50%, then 20%.)
Using Blend Modes is a great way to get the layer you’re on to interact with the layers beneath it. The only problem is you don’t have much control over these blend modes-—they either look the way you want them to, or not. They’re pretty much an “on” or “off” tool. If you’re looking for that next level of control over how layers interact with each other, you need the advanced Blending Options. These are found by double-clicking in the empty space just to the right of the layer’s name in the Layers palette. What appears onscreen looks like the Layer Style dialog (and in fact, it is), but if you look closely, you’ll see two bars with sliders at the bottom of the dialgo giving you control over how your layered images interact. Here’s another quick tip: If you hold the Option key (PC: Alt key) before you drag one of the sliders, it will split the slider in two, which gives you smoother transitions and more usable blend effects.
If you’re using layer comps to compare different layouts within the same image, you can share these comps with people not on your network (or without access to your computer) by creating a separate document for each layer comp. This makes it easier to email them, and easier for your recipient to view them. Luckily, you don’t have to do this all manually; just go under the File menu, under Scripts, and choose Layer Comps To Files.
How do you apply a layer style to your Background layer? You can’t. That is, unless you double-click on your Background layer. This brings up the New Layer dialog where you can rename your Background layer, and when you do, it turns into a regular layer. Now you can apply layer styles to your heart’s content. Want an even faster way? Just hold the Option key (PC: Alt key) and double-click, then you won’t get the dialog at all—it will just convert it into a new layer named Layer 0.
You probably already know that you can apply styles to an image from the Styles palette, and you may even know that rather than just clicking on them, you can drag-and-drop these styles right from the palette straight onto your current layer. But what’s the advantage of dragging-and-dropping? Isn’t it actually harder to drag-and-drop, rather than just clicking once? The advantage is that you can drag-and-drop styles to any layer, not just your currently active layer. You can also drag-and-drop effects between different open documents.
To hide an individual layer, click on the Eye icon in the first column next to that layer in the Layers palette. To make the layer visible again, click on the spot where the Eye icon used to be. If you want to keep one layer visible and hide all the others, hold the Option key (PC: Alt key) and click on the Eye icon beside the layer you want to keep visible. To make the other layers visible again, repeat the process.
When I’m struggling to get just the right effect by changing the layer blend modes, it’s great to be able to rotate through each mode without having to go back to the layer blend mode pop-down menu every time. To do this, simply switch to the Move tool (V), then press Shift–+ (Plus Sign). Every time you press it, it goes to the next blend mode.
You can lock all of your linked layers at once by choosing Select Linked Layers from the Layers palette’s flyout menu, then choosing Lock Layers from the same menu. They’ll kick and scratch for a while, but they’ll eventually calm right down.
Once you’ve applied a layer style to a layer, if you need to access some related commands that are in the Layer menu, you don’t need to go up to the menu bar and go digging through the submenus. Instead, Control-click (PC: Right-click) on the little “ƒ” icon that appears to the right of your layer’s name in the Layers palette. A contextual menu will appear with most of the Layer Style menu commands right at your fingertips—without the searching and digging through menus.
If you’re opening new documents and they don’t have a Background layer, there’s a reason (of course there’s a reason, everything has a reason; we just happen to know what it is). The reason is that you’ve selected the Transparent option in the New document dialog. That seems like a reasonable thing to do; everybody wants transparency, right? However, what it tells Photoshop is “Don’t worry about creating a Background layer.” To get Background layers again, the next time you’re in the New dialog, under Background Contents, make sure you choose White, and from then on, you’ll have Background layers in your documents.
If you have a large multilayered file, you know it can take a while to open, and that’s fine—it’s part of working with large files. But sometimes you’re not going to actually work on the file, and you just want to open it, take a quick look at it, and then close it (maybe you just want to see if it’s the version of the file you’re looking for). So why waste time opening a huge multilayered file if you just want to take a quick look? Well, you don’t have to—just go under the File menu, choose Open, and navigate to the layered file, but before you click the Open button, hold Option-Shift (PC: Alt-Shift). By holding those two keys down before you choose Open, it opens a flattened version of your layered file. Pretty darn slick.
If you have a large multilayered file, you know it can take a while to open, and that’s fine—it’s part of working with large files. But sometimes you’re not going to actually work on the file, and you just want to open it, take a quick look at it, and then close it (maybe you just want to see if it’s the version of the file you’re looking for). So why waste time opening a huge multilayered file if you just want to take a quick look? Well, you don’t have to—just go under the File menu, choose Open, and navigate to the layered file, but before you click the Open button, hold Option-Shift (PC: Alt-Shift). By holding those two keys down before you choose Open, it opens a flattened version of your layered file. Pretty darn slick.
If you have a multilayered document and want to turn each layer into its own separate document, just go under the File menu, under Scripts, and choose Export Layers To Files.
You can jump to any layer in your document without going to the Layers palette. Press V to switch to the Move tool. Now, press-and-hold the Command key (PC: Control key), and click on an object in your image that you want, and you’ll instantly jump to that object’s layer.
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29
Here is an unusual way of using the Smudge tool to generate interesting halftone streaks.
Now this is something that still seems to stump people in Photoshop when it come to Layer Styles.
Learn how to add excitement and energy to your photo in just a few simple steps.
Here is a cool way to use parts of you photos as abstract design elements.
In previous versions of Photoshop, you could only use the Eyedropper tool to sample a color from other open images in Photoshop, but for some reason, ImageReady had a supercharged Eyedropper. If you clicked the mouse button within your image and held it down, you could leave your image window and sample colors from, well… just about anything—including your computer desktop or any other open application. Freaky! Fortunately, Adobe finally added this same power to Photoshop’s Eyedropper tool.