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I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this amazing application through its paces.
After watching Ken’s demos for nearly an hour, I returned to Florida feeling confident I could master Stitcher when my review copy arrived. Confidence overestimated.
Stitcher is an $495 stand-alone application that can create panoramic images up to 360×360 degrees in cylindrical, spherical, cubic, planar and VRML formats.
After tangling with the utterly complex Panorama Tools, the application used by Ken Lyons (see column at http://www.planetphotoshop.com/tutorials/jim19.html), I expected Stitcher to be a walk in the park. And with the basic tutorial, it sort of was: a nice Romanesque temple with lots of straight lines and hard textures.

Stitcher uses drag & drop to place elements from the Image Strip into the Stitching Window. I mastered the rotate, roll, zoom and stitch commands pretty easily. Then I came to a “cannot stitch image. Adjust manually.” I might still be adjusting manually if I had not given up and started over.
Oddly enough, my problem image stitched just fine when I started with it as a base image.
Understanding various formats and the focal length and other menu controls is vital to using Stitcher in a masterful fashion. One two-image pano saved as an extremely wide space of black with the tiny image in its center.

A multi-image construction of my studio shot from a stationary tripod and using precise angles and rotations turned out to be a virtual reality strip that inexplicably cropped tightly when saved.
Stitcher is a fabulous program which takes more than a few days of study and practice to attain proficiency. In the coming weeks, I hope to create something that equals the work of Ken Lyons on his worst day.
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Corey has a special extended tutorial on illustrating the Ice Age acorn.
In part two of this tutorial, Corey finishes the Transformers logo he began last week.
In this two-part tutorial, Corey begins creating the Transformers logo from this summer’s upcoming blockbuster.
Corey uses the new 3D features in Photoshop CS4 Extended to re-create the DreamWorks animated title.
When working with vector - created art and the source art is unavailable, modifying the art to create a logo can be a pain, to say the least—particularly when it’s flattened and the background needs to be knocked out. A careful combination of Invert (Command - I [PC: Ctrl - I]), Color Balance (Command - B [PC: Ctrl - B]), and layer Blending Options (Control-click [PC: Right-click] the layer name) can yield simple background knockouts of one- or two-color logos without making a mess.